What better antidote to the British winter than to step inside the colourful studio of Melania Toma? Born in Padova in 1996 and based in London, Toma is interested in post-human philosophies that question human dominance in the Anthropocene. Believing in the “agency of materials”, she lets the material determine the shape of the works, which are often hybrids between painting, sculpture and textile.
In Toma’s wildly imaginative worlds, there are no hierarchies: elements of plants, animals and other organic matter coexist; personal narratives interweave with mythological references, and everything is pulsating with a palpable energy. Symbolic forms recur, always hovering on the familiar and the unsettling. Central to Toma’s practice is the idea of “the cell as a political and poetic site, where transmission, regeneration and contamination happen, and where larger ecological and social revolutions quietly begin”.
