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      <image:caption>Berhe Morisot. Woman and Child on the Balcony, 1872, Oil on canvas, 61.0 × 50.0cm, Artizon Museum, Ishibashi Foundation,Tokyo</image:caption>
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      <image:caption>West Cork Literary Festival, 2023</image:caption>
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      <image:caption>Jeppe Hein’s All I Need is Less, 2019, seen at Frieze London 2019</image:caption>
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      <image:caption>Vanessa da Silva, FLAG#1, 2017-21 and partly shown: Emma Cousin, Mimesis, 2020</image:caption>
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      <image:caption>Sophie Clements, On Letting Things Be (An Exercise), 2020</image:caption>
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      <image:caption>Carali Mc Call, Circle Drawing, 4 hours 15 minutes, 2019</image:caption>
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      <image:caption>The Atrium, with (from top) painting by John Copnall, mosaics by atelier Adam Nathaniel Furman and painting by Liam Mertens</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <lastmod>2021-08-23</lastmod>
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      <image:title>Blog - Play as Survival - Robin Rhode - Make it stand out</image:title>
      <image:caption>Piano Chair, 2011</image:caption>
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      <image:title>Blog - Play as Survival - Robin Rhode - Make it stand out</image:title>
      <image:caption>Chalk Bicycle, 2011</image:caption>
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      <image:caption>Phantom Rain (detail), 2019</image:caption>
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      <image:caption>Untitled (Compass - Male &amp; Female), 2013</image:caption>
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      <image:caption>Proteus, 2020</image:caption>
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      <image:caption>Lana Locke, Journeys of a Laundry Mountain (2020,) Video 26 minutes and 49 seconds</image:caption>
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      <image:caption>Pangolin-Bat (2020), Mixed media relief; 26 cm x 47 cm x 9 cm</image:caption>
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      <image:title>Blog - Falling into the Picture: Fred Tomaselli</image:title>
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      <image:title>Blog - Falling into the Picture: Fred Tomaselli</image:title>
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    <lastmod>2020-11-30</lastmod>
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      <image:title>Blog - They Can't Cancel Autumn: Helen Cammock, William Mackrell and Daphne Wright</image:title>
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      <image:title>Blog - They Can't Cancel Autumn: Helen Cammock, William Mackrell and Daphne Wright</image:title>
      <image:caption>Helen Cammock, They Call it Idlewild, 2020 (still)</image:caption>
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      <image:title>Blog - They Can't Cancel Autumn: Helen Cammock, William Mackrell and Daphne Wright</image:title>
      <image:caption>Helen Cammock, They Call it Idlewind, 2020 (still)</image:caption>
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      <image:title>Blog - They Can't Cancel Autumn: Helen Cammock, William Mackrell and Daphne Wright</image:title>
      <image:caption>Photo of the sunflower fields in Charante by William Mackrell</image:caption>
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      <image:title>Blog - They Can't Cancel Autumn: Helen Cammock, William Mackrell and Daphne Wright</image:title>
      <image:caption>William Mackrell, Rage rage against the dying of the light, 2020. Rayograph and texts, 245 cm x 126 cm</image:caption>
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      <image:title>Blog - They Can't Cancel Autumn: Helen Cammock, William Mackrell and Daphne Wright</image:title>
      <image:caption>Daphne Wright, Maple Row Sunflowers, 2019. Mixed media Overall dimensions variable</image:caption>
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    <lastmod>2020-09-07</lastmod>
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      <image:title>Blog - Claiming your Space - Njideka Akunyili Crosby and Gisela McDaniel</image:title>
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      <image:title>Blog - Claiming your Space - Njideka Akunyili Crosby and Gisela McDaniel</image:title>
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      <image:title>Blog - Claiming your Space - Njideka Akunyili Crosby and Gisela McDaniel</image:title>
      <image:caption>My daughter Isabella in front of Mama, Mummy and Mamma, at MOCA LA (2019)</image:caption>
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      <image:title>Blog - Claiming your Space - Njideka Akunyili Crosby and Gisela McDaniel</image:title>
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      <image:title>Blog - Claiming your Space - Njideka Akunyili Crosby and Gisela McDaniel</image:title>
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      <image:caption>Rachel Rossin, Stalking The Trace, 2019, Exhibition Installation view. Photo: Tim Bowditch. Courtesy The Artist and Zabludowicz Collection</image:caption>
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      <image:title>Blog - ACCESS ART || Art Beyond Sight: The MFAH's program for the visually impaired</image:title>
      <image:caption>Dorothy Hood, The Light of Rain, 1968. Museum of Fine Arts Houston</image:caption>
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      <image:caption>A docent teaches the group. Photograph by Allysson Huntsman. Courtesy of the Museum of Fine Arts, Houston</image:caption>
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      <image:caption>Mika Rottenberg, Bowls Balls Souls Holes, 2014. Above: Video and sculptural installation, 27 min 54 s, dimensions variable. Courtesy of the artist and the collection of Jill and Peter Kraus Installation view: Goldsmiths CCA, 2018. Image credit: Andy Keats, 2018. Below: Video stills. Courtesy of Andrea Rosen Gallery, New York, NY</image:caption>
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      <image:caption>Mika Rottenberg, NoNoseKnows. 2015, Still. Video and sculptural installation, 22 min; dimensions variable. Courtesy of Andrea Rosen Gallery, New York, NY</image:caption>
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      <image:caption>This image and above: Mika Rottenberg, NoNoseKnows. 2015. Sculpture and video installation, 27:54, dimensions variable. Courtesy of the artist and the collection of Jill and Peter Kraus Installation view: Goldsmiths CCA, 2018. Image credit: Andy Keats, 2018</image:caption>
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      <image:caption>Mika Rottenberg, Frying Pans, 2018. Stovetops, pans, water dripping system, lights; dimensions variable. Courtesy of the artist, Goldsmiths CCA, London, MAMbo Museo d’Arte Moderna di Bologna and Kunsthaus Bregenz. Installation view: Goldsmiths CCA, 2018. mage credit: Andy Keats, 2018</image:caption>
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    <changefreq>monthly</changefreq>
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    <lastmod>2018-08-31</lastmod>
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      <image:caption>Anamnesis, coffee, tea, peat, tobacco, cacao, spices; dimensions variable. Installation view, MCA Chicago, photo: Nathan Keay, © MCA Chicago</image:caption>
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      <image:caption>Why don’t you grow where we come from? Woven textile, photographs, ink-jet print, viscose, cashmere, wool, mohair, bio cotton, and laser-cut Forex plate.</image:caption>
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      <image:title>Blog - THE WORLD’S A STAGE, BUT WE ARE IN THE WRONG PLAY - OTOBONG NKANGA</image:title>
      <image:caption>The Weight of Scars, woven textile, photographs, yarns (viscose, bast, mohair, polyester, bio cotton, linen, and acrylic), and ink-jet prints on ten laser-cut Forex plates.</image:caption>
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    <changefreq>monthly</changefreq>
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    <lastmod>2018-11-30</lastmod>
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      <image:caption>Family Garden Workshop, Hauser &amp; Wirth Los Angeles, 20 August 2017 Courtesy Hauser &amp; Wirth. Photo: Noé Montes</image:caption>
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  <url>
    <loc>https://www.sabinecasparie.com/blog/journey-to-brooklyn-ahmed-mater</loc>
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    <lastmod>2018-05-14</lastmod>
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      <image:title>Blog - Journey to Brooklyn - Ahmed Mater</image:title>
      <image:caption>Ahmed Mater (Saudi, born 1979). Metropolis, 2013. Diasec mounted Latex jet print on Kodak Premier Paper, 118 x 88 1⁄2 in. (300 x 225 cm). Courtesy of the artist. © Ahmed Mater</image:caption>
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    <image:image>
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      <image:title>Blog - Journey to Brooklyn - Ahmed Mater</image:title>
      <image:caption>Ahmed Mater (Saudi, born 1979). Room with a View, 2013. C-print, 60 x 80 in. (152.4 x 203.2 cm). Courtesy of the artist. © Ahmed Mater</image:caption>
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      <image:caption>Mecca Journeys, Installation Shot</image:caption>
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      <image:caption>Mecca Journeys, Installation Shot</image:caption>
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      <image:title>Blog - Journey to Brooklyn - Ahmed Mater</image:title>
      <image:caption>Ahmed Mater (Saudi, born 1979). Walkway to Mina, 2012. C-print. 60 x 90 in. (152.4 x 228.7 cm). Courtesy of the artist. © Ahmed Mater</image:caption>
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  <url>
    <loc>https://www.sabinecasparie.com/blog/awakening-the-painting-giorgio-griffa</loc>
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    <lastmod>2018-05-02</lastmod>
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      <image:caption>Installation view of Giorgio Griffa: A Continuous Becoming, Camden Arts Centre, 2018. Photo: Mark Blower</image:caption>
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      <image:caption>Installation view of Giorgio Griffa: A Continuous Becoming, Camden Arts Centre, 2018. Photo: Mark Blower</image:caption>
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      <image:caption>Monika Sosnowska, H and Concrete, with (left) Rebar 20 and (right) Rebar 12, all 2017</image:caption>
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      <image:title>Blog - The Stories Behind The Facades - Liane Lang</image:title>
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      <image:title>Blog - The Stories Behind The Facades - Liane Lang</image:title>
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    <lastmod>2017-10-03</lastmod>
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      <image:caption>Vivien Zhang, Contra Prunus, 2017. Oil and spray paint on canvas, 140 x 160 cm. Courtesy The Ryder</image:caption>
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      <image:caption>Santiago Pinyol, Mood Board</image:caption>
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      <image:caption>Santiago Pinyol. History of the Screen 1 and 2</image:caption>
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      <image:caption>Santiago Pinyol, F.O.M.O.</image:caption>
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    <lastmod>2017-08-04</lastmod>
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      <image:caption>Pipilotti Rist, Pixel Forest and Worry Will Vanish, 2016 and 2014</image:caption>
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      <image:caption>Ron Mueck, A Girl, 2006</image:caption>
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      <image:caption>Ron Mueck, Man in a Boat, 2002</image:caption>
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      <image:caption>Pipilotti Rist, Pixel Forest and Worry Will Vanish, 2016 and 2014 (close-up)</image:caption>
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      <image:title>Blog - Melancholia and Euphoria: Ron Mueck and Pipilotti Rist</image:title>
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    <loc>https://www.sabinecasparie.com/blog/the-voice-of-the-building-oliver-beer</loc>
    <changefreq>monthly</changefreq>
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    <lastmod>2017-07-19</lastmod>
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      <image:caption>Joseph Beuys, Zwei Frauen, 1955, Pencil, watercolour, gouache and iron chloride on paper, 21 x 29,5 cm © JOSEPH BEUYS ESTATE / DACS, LONDON 2017. PHOTO:ULRICH GHEZZI COURTESY GALERIE THADDAEUS ROPAC LONDON · PARIS · SALZBURG</image:caption>
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    <loc>https://www.sabinecasparie.com/blog/a-freudian-field-day</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-05-06</lastmod>
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      <image:caption>Installation view of 'Who am I to Judge, or, It Must be Something Delicious'</image:caption>
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      <image:caption>Still from video 'Delights of an Undirected Mind'</image:caption>
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      <image:caption>Still from video 'Worship'</image:caption>
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      <image:caption>Still from video 'Dark Side of the Moon'</image:caption>
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    <lastmod>2017-04-20</lastmod>
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      <image:title>Blog - Poets of the Everyday: Wolfgang Tillmans and Richard Tuttle</image:title>
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      <image:title>Blog - Poets of the Everyday: Wolfgang Tillmans and Richard Tuttle</image:title>
      <image:caption>Wolfgang Tillmans, Exhibition View at Tate</image:caption>
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      <image:title>Blog - Poets of the Everyday: Wolfgang Tillmans and Richard Tuttle</image:title>
      <image:caption>Wolfgang Tillmans' still life, and below: airport series, exhibition shots</image:caption>
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      <image:title>Blog - Poets of the Everyday: Wolfgang Tillmans and Richard Tuttle</image:title>
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      <image:caption>Richard Tuttle, Pressing: Hole in the Head, VII 2015-2016. Styrofoam, metal, colored felt, heat-sensitive quilting backing, fabric paint, white glue, bond paper, enamel paint, acid-free museum mount board, metallic paper, acrylic, day-glo gouache, nails 64.8 x 92.1 x 5.1 cm, 25 1/2 x 36 1/4 x 2 1/8 ins. Courtesy Stuart Shave/Modern Art, London</image:caption>
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      <image:title>Blog - Poets of the Everyday: Wolfgang Tillmans and Richard Tuttle</image:title>
      <image:caption>The Critical Edge IV, 2015. Fabric, wood, nails, hand-sewn brown thread; four black MDF panels and four fabric elements 42" x 12' 1" x 3" (106.7 cm x 368.3 cm x 7.6 cm) © Richard Tuttle, courtesy The Pace Gallery</image:caption>
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      <image:title>Blog - Poets of the Everyday: Wolfgang Tillmans and Richard Tuttle</image:title>
      <image:caption>Wolfgang Tillmans poses in front of his works Transient 2, 2015 and Tag/Nacht II, 2010. Courtesy Tate Photography</image:caption>
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    <lastmod>2017-02-20</lastmod>
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      <image:caption>Night time photo of downtown Houston Texas</image:caption>
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      <image:title>Blog - Transcending Architecture: Magdalena Fernández</image:title>
      <image:caption>Magdalena Fernandez, Rain. Image: Peter Molick courtesy of Sicardi Gallery</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Bermondsey Street is one of London’s hidden gems: a street full of artisan shops and cafes and even a glass-blowing studio, where we’ll take a peek and hopefully see some glassmakers at work. Bermondsey is also home to some of the best contemporary art galleries in London, including the sleek bluechip White Cube, and a smaller, female-run gallery for Latin American artists. Drawing Room re-opened last year on a former industrial estate, part of an exciting new neighbourhood from award-winning developer London Square.</image:caption>
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      <image:caption>Join this tour to explore Mayfair, one of the main contemporary art hubs in London! We will visit some of London's biggest galleries, housed in grand old buildings, and stop in Cork Street, which has been completely revamped in the past five years to once again become a centre for contemporary art. We may get a peek into one of the auction houses. We’ll see the exciting Frieze at 9 Cork Street, a permanent space over two floors that is used for temporary exhibitions by a changing roster of galleries from around the world.</image:caption>
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      <image:caption>Soho has always had appeal as the centre of theatre, restaurant and nightlife, but recently many younger galleries have moved into the area. Fitzrovia has also attracted younger gallerists and we will visit some spaces around the charming Charlotte Street. Get a glimpse of cutting edge contemporary art and engage with the owners and sometimes the artists of these galleries; some of which may even have opened the week before! I</image:caption>
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      <image:caption>Sculpture in the City has been running for twelve years, and every year UK curator selects some of the most exciting artists working in London and abroad to make art that is placed between old churches and shiny new skyscrapers. Best seen at dawn! Every year between September and October, Regent’s Park is home to Frieze Sculpture, with sculptures by established and upcoming artists from all over the world, selected by a respected international curator.</image:caption>
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      <image:caption>We will look at how the art in Britain, and in particular in the collection of Tate, is shaped by stories of migration. We’ll see art by diaspora artists from Africa, South America, Asia and the Carribean; we can enter our own tales of arriving in London at Yinka Shonibare’s British Library, and imagine our own museum with Meschac Gaba’s Museum of Contemporary African Art. We will also explore Tate’s collection of Indigenous artists, seeing how ecological concerns are addressed differently depending on where we live.</image:caption>
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